As the Cannes Film Festival commences, a notable shift in focus emerges, with canines taking center stage alongside the usual glitz and glamour. Against the backdrop of a changing cultural landscape, characterized by the #MeToo movement and renewed scrutiny of France’s film industry, these four-legged companions provide a refreshing and universally agreeable presence.
Among the anticipated talents gracing the red carpet this year is not a typical Hollywood starlet, but a tall, blond, leggy creature with a seductively husky voice. Meet Kodi, the fawn-maned griffon cross, the star of Laetitia Dosch’s directorial debut “Dog on Trial.” Set against the sun-kissed backdrop of the Côte d’Azur, Dosch’s film feels tailor-made for Cannes’ 77th edition, exploring themes of justice and inter-species solidarity.
Dosch’s journey to Cannes began with a chance encounter with director Justine Triet, sparking a serendipitous collaboration. Despite initial concerns of overlapping projects, Dosch’s “Dog on Trial” earned its place in Cannes’ coveted Un Certain Regard category, alongside other canine-themed films such as Guan Hu’s “Black Dog.”
The prominence of dogs at Cannes extends beyond the silver screen, with the acclaimed border collie, Messi, making appearances as a TV host for France 2 and France 3. Messi, a Palm Dog award winner, exemplifies the growing recognition of canine talent in the film industry, with the Palm Dog awards evolving from a whimsical concept to a revered institution.
The surge in canine roles at Cannes reflects a broader shift in the festival’s landscape. Traditionally, Cannes success relied on a combination of celebrity glamour and artistic rigor, often featuring provocative themes and explicit content. However, recent allegations of sexual abuse and misconduct within the industry have prompted introspection and calls for accountability.
In this context, dogs offer a welcome reprieve, embodying qualities of innocence and loyalty that transcend human controversies. As Dosch’s film explores themes of justice and societal norms, it prompts reflection on the intersections of species and gender dynamics.
While Dosch acknowledges the historical precedent of holding animals accountable under human laws, she emphasizes the need for compassion and recognition of inherent differences. Ultimately, “Dog on Trial” serves as a poignant reflection on women’s place in society, offering a unique perspective amidst Cannes’ diverse lineup.
As Cannes unfolds against a backdrop of societal change and introspection, the presence of canines serves as a reminder of the enduring appeal of innocence and loyalty in an ever-evolving world.
